'Revenge' Review: A Woman, Three Men and a Whole Lotta Carnage

Let us now praise exploitation movies – those grotty, violent, sordid movies as sticky as the floors of a Forty Deuce theater and as guilty-pleasurably queasy as a drive-in hot-dog binge. You could definitely see Coralie Fargeat’s nasty little nugget of a debut slotting nicely into the middle section of a vintage triple feature, sandwiched by the Russ Meyer-sterpiece Faster, Pussycat! Kill! Kill! and Abel Ferrara’s Ms. 45; the latter is practically a spirit animal to this French take on the subgenre known as the "rape …
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