M.I.A. Opens Up About Super Bowl Fallout, Immigration, Retirement

It’s the New York premiere of Matangi/Maya/M.I.A., a documentary about the controversial Sri Lankan–British rapper who variously goes by all three of those names, and the Museum of Modern Art is bustling with noise and revelry. M.I.A., however, looks unusually serene. Dressed mostly in black, save for an ornately detailed hoodie underneath her jacket, she looks almost incognito – a far cry from the kaleidoscopic, neon spectacles that have defined her look in…
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