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L.A. Theater Review: Matthew Bourne’s ‘The Red Shoes’

While there are few who would dispute the place Michael Powell and Emeric Pressburger’s “The Red Shoes” holds as the greatest dance film of all time — focusing as it does on the backstage energy and all-or-nothing ambition of a ballerina who quite literally lives to dance, and who dies the instant she allows love to interfere with that commitment — maste…
Variety

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